The Sixth Iteration (
sixthiteration) wrote in
sixthiterationlogs2018-08-31 01:28 pm
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Entry tags:
- !arrival post,
- !mingle,
- !ota,
- - plot: down the tubes,
- asoiaf: margaery tyrell,
- circe: circe,
- dc: clark kent,
- dc: jason todd,
- dc: john constantine,
- dc: stephanie brown,
- dmc: kat,
- dmc: vergil sparda,
- ff: oerba dia vanille,
- hunger games: finnick odair,
- izombie: liv moore,
- izombie: major lilywhite,
- izombie: ravi chakrabarti,
- lost girl: kenzi malikov,
- m7: vasquez,
- marvel: bucky barnes,
- marvel: claire temple,
- marvel: clint barton,
- marvel: frank castle,
- marvel: jessica jones,
- marvel: kamala khan,
- marvel: karen page,
- marvel: logan howlett,
- marvel: natasha romanoff,
- mfmm: phryne fisher,
- oc: cael lupei,
- star trek: beverly crusher,
- star trek: jean-luc picard,
- tlou: owen prichard,
- tvd: elena gilbert,
- va: rose hathaway,
- vtr: samantha moon
[MINGLE] PLOT: Down the Tubes: Alarm
WHERE: The bunker & elsewhere
WHEN: 1 September 2018
OPEN TO: ALL - MINGLE
WARNINGS: Please warn on threads
NOTES: Plot Details | Bunker Details | Bunker Map & Key
Threads may take place ANYTIME during the plot, including before, during and after the tubes have been opened, just please do not godmod tube arrivals without explicit permission. Related threads not in the bunker are welcomed, as are general bunker exploration/reaction threads that have nothing to do with the arrivals. Please reference the bunker key doc for what is and isn't available to explore at present.
WHEN: 1 September 2018
OPEN TO: ALL - MINGLE
WARNINGS: Please warn on threads
NOTES: Plot Details | Bunker Details | Bunker Map & Key
Threads may take place ANYTIME during the plot, including before, during and after the tubes have been opened, just please do not godmod tube arrivals without explicit permission. Related threads not in the bunker are welcomed, as are general bunker exploration/reaction threads that have nothing to do with the arrivals. Please reference the bunker key doc for what is and isn't available to explore at present.
Deep under the mountain, tucked away in the newly-discovered bunker complex, there is a room where everyone begins. It is filled with equipment — Computer consoles, monitors — but the point of it all resides within ten vertical stasis tubes lined neatly along a far wall.
One of them has been cracked and lies dormant, dry. In six of the remaining are bodies, unconscious and floating in their familiar vari-colored scrubs, vital signs ticking calmly off on their respective readouts.
In the corner, near the cracked tube, the ceiling has shattered and tumbled inward, across the floor and over the largest console in the room — The one flashing 24 HOURS UNTIL STASIS FAILURE.
no subject
"Hey, Karen," is his dumb greeting, a smile tugging up one corner of his lips and aborting there. There's an easiness to his frame that perhaps shouldn't exist in a place like this, but for once he doesn't feel helpless at all. He feels like they're on the cusp of solving this whole damn thing.
no subject
He looks tentative but calm, and why not? This is old hat to him. Probably pointless of her to have kept her suspicions from him all this time, even if her intentions were good.
"Sit with me?" she asks, her voice wobbling as she reaches out with her free hand. "Please."
no subject
"You think this place is real?" he asks after a beat, probably the only one hoping that it is. If this is all just an elaborate ruse then they're back at square none, right? Frank nudges in his shoulder against Karen's and lets out a long, steady breath in hopes of influencing her with his own serenity.
no subject
Frank's real, though, and she reaches for him without thought, slender arms wrapping tightly around him, fingers clutching at the fabric of his hoodie as she ducks her face in against his shoulder. "I love you, okay?" she wrenches out, breath hitching. "I need you to— to know that. I just love you and I need you here, please." As if he has any control over that at all, over whether he gets blinked out of existence only to be replaced by some other him.
no subject
"Karen," he starts, voice still even though he hates the wetness in her gaze. There's still a degree of separation here that keeps him from giving into his desperation. He uses his hand on her arm to push her back, hold her at arm's length like she's always claiming he does. "I know, okay. It's fine, I know."
But he can't have this conversation with her again. He doesn't really want to talk at all right now, which shouldn't shock her really.
"You could've told me," he says, impossibly soft. Hearing it from Kira had hurt, more than it should have. She had never hesitated to share things with him before, so is it just this version of him she doesn't trust? Or this version of her doesn't trust him? Either way, it's the last thing he wants to internalize.
no subject
"I was trying to protect you," she replies, sitting back, away from the weight of his hands. "I didn't know if any of it was real and I didn't know what any of it really meant, and you showed up afraid to even open your mouth, talking about massive trauma and having died and being brainwashed, and I was trying to protect you."
She glances down to the vial still held tight in her fingers and then slides it wordlessly into her pocket.
no subject
"Okay," he accepts, it's not like he was angry to begin with. He's so tired of being angry, and so sick of being tired. It just means he'll be less likely to tell her things in the future, he supposes, though she was once the only person he could count on believing him.
no subject
"I need to get out of here," she decides, the cold concrete walls feeling suddenly too close, too hard and harsh and industrial for the lives packed in on the shelves between. Pushing herself up, she absently scuffs dust from her backside, then touches her pocket to confirm the the vial is still there.
"I'm not apologizing for it," she says, looking down at him, and then steps past to the door.
no subject
He glances around, realizing this setting for this conversation will probably only make things worse.
"You're right, though. Let's go. We'll talk above ground." The ones under never went that well for him, in hindsight.
no subject
"That's all I needed. A hug with no strings and no complaints. Because I have Matt's blood in my pocket, Frank. And I don't know if he's really dead or if he was ever alive or if any of this is even real. I don't think that's unreasonable."
no subject
"When have I ever complained about a hug from you?" he asks, half joke and half sincere. He's sad for her, he wants to help, but he's probably going to make it worse again. That is his specialty, in any iteration. "You always talked to me before. It didn't matter- I just want you to be okay, Karen." It's a jumble of thoughts, but that's what's most important to him now. That she's relatively safe and has some chance at happiness.
no subject
"Frank," she says now, not angry or condescending as she lifts her eyes to him again, just trying to explain in the plainest way she can when she feels about ready to crawl out of her skin. "I just hugged you and you pushed me away. To tell me I should have told you about this before. In that moment, that wasn't emotionally helpful to me. Okay? I'm barely keeping it together, here."
no subject
"Do over?" he suggests, opening his arms to her. Maybe it's too late, maybe he blew it. Still, opening himself up for rejection has to be worth something, right?
no subject
So she goes, even if she's not sure how she feels about it, the sting lingering. For once in her life she'd like to be the one having the breakdown and not the one holding things together, giving lessons on how to people. But just like we can't choose our family, we can't always choose the roles we're given in life. Being that person is apparently hers.
"Let's just get out of here, okay?" she says against Frank's neck as she gives him a squeeze.
no subject
"Okay."