Kate Kelly (
lastofthekellys) wrote in
sixthiterationlogs2016-11-24 02:05 pm
Entry tags:
- asoiaf: margaery tyrell,
- asoiaf: sansa stark,
- cinder spires: benny sorellin-lancaster,
- fall: stella gibson,
- fullmetal alchemist: riza hawkeye,
- great library: jess brightwell,
- heathers: veronica sawyer,
- hunger games: annie cresta,
- hunger games: finnick odair,
- izombie: ravi chakrabarti,
- kate kelly: kate kelly,
- losers: cougar alvarez,
- martian: mark watney,
- marvel: peggy carter,
- marvel: sam wilson,
- spn: jo harvelle,
- star trek: kira nerys,
- tvd: kol mikaelson,
- vinland: thorfinn thorsson
Let us eat quickly-- let us fill ourselves up. {Harvest Feast}
WHO: Kate Kelly
WHERE: The Inn
WHEN: 24th November
OPEN TO: E V E R Y O N E
WARNINGS: TBA
STATUS: OPEN
Aside from the days when she'd been too drunk or too hungover to get up, Kate's kept a farmer's hours all her life. Even in winter, when the bitterly cold winds that'd come up from the south and make its way through the cracks and holes in her ma's hut, she'd get up, get dressed, do her chores. But lately, it's been harder to extract herself from her bed. Benedict's been sharing her bed more often than not lately, and the chasteness of their interactions does nothing to change how warm and safe she feels. How little she wants to get up, get dressed, go out into the colder spaces of the Inn and do her work.
So, today, she's late getting out of bed - at least, by her standards. She's late getting down the stairs. She's late, so she's hurrying; she lazed in bed, and now she needs to start the fire in the main room. Start the fire, open the shutters, show that the Inn is standing and warm. And welcome, so she moves the -
No, Kate doesn't move the chairs stacked precariously at the front door as a rudimentary alarm of someone, something, coming through, because the chairs are gone. She neither dismisses it as one of the residents not getting the message, nor panics. Instead, she just opens the shutters to let in the dawn light and see if there are footprints, except, no, the snow has mostly cleared. The day is sunny. As welcome as it is, that doesn't help at all. Miss Hoppity jumps down from the foyer's desk to rub her face against Kate's skirt, apparently entirely unconcerned.
Kate eyes the cat for a moment, then approaches the closed doors leading to the main room. Closed, but with light coming through the cracks between door and floor, door and door frame. Cautiously, Kate opens one of the doors and peers in.
Then, she gapes.
The fire is blazing - hot, cheery - but so are the candles. The candles: candles on the unused candlesticks, candles clustered on tables, light up sideboards. Candles bobbing in bowls of water and apples. Candles white, yellow and red, when the village had none. Boughs of wheat, corn, decorate tables and the mantle over the fire, apples and pumpkins and collections of yellow, orange, red flowers seem to be everywhere.
And the food.
Each table is piled high with food. Roasted, baked, cooked on stoves and Kate knows how to cook, she knows how long this would all take, how many people, and it's impossible. What she's seeing is impossible to have done with the resources on hand: even an attempt would have woken up the whole building.
Disbelieving, Kate walks in. For a moment, she's entirely dumbfounded. Miss Hoppity, however, is nothing of the sort. The cat has leapt up onto the sideboard next to Kate and - well, Kate isn't sure what happens next. Just that suddenly there's movement and something large seems to lunge at her. Miss Hoppity yowls and speeds off: Kate screams as she battles something, falling backwards and hitting the floor along with a broken bowl of water, spilled apples and some tiny candles, and her attacker.
Pushing the food-turkey off her, Kate sits up and is, for once, entirely lost for words.
WHERE: The Inn
WHEN: 24th November
OPEN TO: E V E R Y O N E
WARNINGS: TBA
STATUS: OPEN
Aside from the days when she'd been too drunk or too hungover to get up, Kate's kept a farmer's hours all her life. Even in winter, when the bitterly cold winds that'd come up from the south and make its way through the cracks and holes in her ma's hut, she'd get up, get dressed, do her chores. But lately, it's been harder to extract herself from her bed. Benedict's been sharing her bed more often than not lately, and the chasteness of their interactions does nothing to change how warm and safe she feels. How little she wants to get up, get dressed, go out into the colder spaces of the Inn and do her work.
So, today, she's late getting out of bed - at least, by her standards. She's late getting down the stairs. She's late, so she's hurrying; she lazed in bed, and now she needs to start the fire in the main room. Start the fire, open the shutters, show that the Inn is standing and warm. And welcome, so she moves the -
No, Kate doesn't move the chairs stacked precariously at the front door as a rudimentary alarm of someone, something, coming through, because the chairs are gone. She neither dismisses it as one of the residents not getting the message, nor panics. Instead, she just opens the shutters to let in the dawn light and see if there are footprints, except, no, the snow has mostly cleared. The day is sunny. As welcome as it is, that doesn't help at all. Miss Hoppity jumps down from the foyer's desk to rub her face against Kate's skirt, apparently entirely unconcerned.
Kate eyes the cat for a moment, then approaches the closed doors leading to the main room. Closed, but with light coming through the cracks between door and floor, door and door frame. Cautiously, Kate opens one of the doors and peers in.
Then, she gapes.
The fire is blazing - hot, cheery - but so are the candles. The candles: candles on the unused candlesticks, candles clustered on tables, light up sideboards. Candles bobbing in bowls of water and apples. Candles white, yellow and red, when the village had none. Boughs of wheat, corn, decorate tables and the mantle over the fire, apples and pumpkins and collections of yellow, orange, red flowers seem to be everywhere.
And the food.
Each table is piled high with food. Roasted, baked, cooked on stoves and Kate knows how to cook, she knows how long this would all take, how many people, and it's impossible. What she's seeing is impossible to have done with the resources on hand: even an attempt would have woken up the whole building.
Disbelieving, Kate walks in. For a moment, she's entirely dumbfounded. Miss Hoppity, however, is nothing of the sort. The cat has leapt up onto the sideboard next to Kate and - well, Kate isn't sure what happens next. Just that suddenly there's movement and something large seems to lunge at her. Miss Hoppity yowls and speeds off: Kate screams as she battles something, falling backwards and hitting the floor along with a broken bowl of water, spilled apples and some tiny candles, and her attacker.
Pushing the food-turkey off her, Kate sits up and is, for once, entirely lost for words.

OTA
But that practicality doesn't mean I can look at a spread like this and not be completely freaked out by it. Honestly, part of me -- A very loud, insistent part of me -- doesn't want to touch any of it, at least not yet. The smarter approach would have been to feed some of it to one of the animals, watch what happens. The food would have kept for a day. But there are so many people tucking in by the time I show up, there's no point in being the practical one anymore.
And who can blame them? We've been barely getting by and this is a meal straight out of 'Good Housekeeping.'
I give in, because of course I give in. Trust me, you'd give in, too. But even as I eat, I'm more somber than normal. I don't know what this means, but I'm worried it's nothing good.
no subject
There's plenty to be serious about, of course, but until push comes to very violent shove, Ravi does try to keep positive even if his brain is currently running through various worries and plans in the back of his mind like a perpetual motion machine that refuses to stop.
no subject
"Here's to hoping that if drinking this gives us hallucinations, they're at least pleasant ones," I say as I pick up my bottle and tap it lightly against the neck of Ravi's with a clank.
no subject
Manners have to go out of the window in circumstances like this, in order to enjoy the strange.
no subject
"I just don't know that I trust all of this," I say with a motion to the food. "I mean, obviously I am eating it, but the scientist in me would have rather run some kind of test first. But hey, at least if we go down, we'll all go down together."
no subject
"We could still salvage some of it, run some tests, but without a microscope, I am woefully unprepared to analyze anything."
no subject
I lift the beer bottle he gave me and take a long, demonstrative swallow so he can see I am clearly enjoying myself, or at least making an attempt.
"Unless you've been keeping some serious secrets, I don't think any kind of tests we could run on this stuff would do more than waste something that could be eaten."
no subject
He gives Mark a rueful smile. "I don't suppose dessert comes with microscopes and slides, does it?"
no subject
"I think the best we can do is keep an eye out for any adverse reactions in the coming days," I continue, and take a quick glance around the room at the folks stuffing their faces. "Apart from general upset stomach, anyway." For a good portion of these people, this food is much more rich and sugary than they've been eating for months. I have a feeling the bathrooms are going to be getting a workout tomorrow.
no subject
"So, what's the Mark Watney favourite?" Ravi asks, gesturing to the vast array of tables before them. "Name your specialty."
no subject
"A better question is who is going to clean all of this up?" I glance around the rooms at the happy faces full of food, and the tables cluttered with dishes, and my first thought is Kate.
Well, and me, because obviously now that I've thought about it, getting drunk instead of doing my part to clean up is definitely not in the cards tonight.
no subject
"I'll happily take any of those potatoes you refuse to eat," Ravi says, always happy for a good mashed. "But I still may fight you for pie. Pie is always worth fighting for. That and a very good pizza."
no subject
"I ate a lot of potatoes when I was on Mars -- A lot of potatoes." Raw, even, at the end. You do what you've got to do, but it gets pretty bleak after awhile, particularly after the ketchup runs out.
"Did I ever tell you about Mars?"
no subject
"What was your primary objective while you were up there? Did you find anything fascinating from a scientific perspective? Signs of life?"
no subject
"No signs of life," I add, since Ravi seems to be particularly interested in that. "But the soil has the components to support it, when you add fertilizer. While I was stuck there, I grew potatoes to stretch my rations. That's why I'm sick of them."
no subject
no subject
"I was there with a crew about a month before that. I got hit by debris while we were evacuating during a storm. It fried my bio reader, they thought I was dead. It wasn't their fault I got left behind. But it took awhile for them to get back," he adds with a faint laugh. "But we weren't meant to be there a year and a half, so I had to get creative."
no subject
The unfortunate part is that you have to go through a ridiculous amount of training and physical work to get there and Ravi is really better at the behind the scenes work. "Potato-creative," he clarifies. "I feel like there were far more opportunities. How did you manage to stave off concerns like scurvy and infection?"
no subject
God, I still crave ketchup, crazy as that sounds. And not homemade, certified organic, fancypants ketchup. I mean fucking Heinz, loaded with sugar, 100% American ketchup.
no subject
"Not that I'm saying that you should've been grateful for the experience," he qualifies, "just that it's beyond what we can even imagine." Then again, he's in the midst of a zombie apocalypse, so his imagination has been learning to stretch, recently.
no subject
I can't deny that there's still and likely always will be part of me that yearns to go back into outer space, but more present is the part of me that feels like I used up my one Get Out of Jail Free card and I shouldn't press my luck.
"It's funny, because I had to go through a lot of crazy shit to get off Mars, to get home, and the part I was most anxious about was making the descent back to Earth."
no subject
"How was it? Adjusting, that is? I'm assuming you immediately crusaded to rid potatoes from your sight?" he guesses.
no subject
"And honestly, it was long and a little tedious. I did have the entire trip back to Earth to recoup before we landed, but after that it was a parade of doctors and press for a long time. I wouldn't recommend it."
no subject
no subject
Sitting back, I take a slow sip from my beer, considering. "Honestly, it was the reaction from the people that was more satisfying than anything I got from my colleagues. People writing me letters, kids saying they wanted to be astronauts because of me. That part I wouldn't change. It almost made it worth it." I laugh. "Almost."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)