Kate Kelly (
lastofthekellys) wrote in
sixthiterationlogs2016-11-24 02:05 pm
Entry tags:
- asoiaf: margaery tyrell,
- asoiaf: sansa stark,
- cinder spires: benny sorellin-lancaster,
- fall: stella gibson,
- fullmetal alchemist: riza hawkeye,
- great library: jess brightwell,
- heathers: veronica sawyer,
- hunger games: annie cresta,
- hunger games: finnick odair,
- izombie: ravi chakrabarti,
- kate kelly: kate kelly,
- losers: cougar alvarez,
- martian: mark watney,
- marvel: peggy carter,
- marvel: sam wilson,
- spn: jo harvelle,
- star trek: kira nerys,
- tvd: kol mikaelson,
- vinland: thorfinn thorsson
Let us eat quickly-- let us fill ourselves up. {Harvest Feast}
WHO: Kate Kelly
WHERE: The Inn
WHEN: 24th November
OPEN TO: E V E R Y O N E
WARNINGS: TBA
STATUS: OPEN
Aside from the days when she'd been too drunk or too hungover to get up, Kate's kept a farmer's hours all her life. Even in winter, when the bitterly cold winds that'd come up from the south and make its way through the cracks and holes in her ma's hut, she'd get up, get dressed, do her chores. But lately, it's been harder to extract herself from her bed. Benedict's been sharing her bed more often than not lately, and the chasteness of their interactions does nothing to change how warm and safe she feels. How little she wants to get up, get dressed, go out into the colder spaces of the Inn and do her work.
So, today, she's late getting out of bed - at least, by her standards. She's late getting down the stairs. She's late, so she's hurrying; she lazed in bed, and now she needs to start the fire in the main room. Start the fire, open the shutters, show that the Inn is standing and warm. And welcome, so she moves the -
No, Kate doesn't move the chairs stacked precariously at the front door as a rudimentary alarm of someone, something, coming through, because the chairs are gone. She neither dismisses it as one of the residents not getting the message, nor panics. Instead, she just opens the shutters to let in the dawn light and see if there are footprints, except, no, the snow has mostly cleared. The day is sunny. As welcome as it is, that doesn't help at all. Miss Hoppity jumps down from the foyer's desk to rub her face against Kate's skirt, apparently entirely unconcerned.
Kate eyes the cat for a moment, then approaches the closed doors leading to the main room. Closed, but with light coming through the cracks between door and floor, door and door frame. Cautiously, Kate opens one of the doors and peers in.
Then, she gapes.
The fire is blazing - hot, cheery - but so are the candles. The candles: candles on the unused candlesticks, candles clustered on tables, light up sideboards. Candles bobbing in bowls of water and apples. Candles white, yellow and red, when the village had none. Boughs of wheat, corn, decorate tables and the mantle over the fire, apples and pumpkins and collections of yellow, orange, red flowers seem to be everywhere.
And the food.
Each table is piled high with food. Roasted, baked, cooked on stoves and Kate knows how to cook, she knows how long this would all take, how many people, and it's impossible. What she's seeing is impossible to have done with the resources on hand: even an attempt would have woken up the whole building.
Disbelieving, Kate walks in. For a moment, she's entirely dumbfounded. Miss Hoppity, however, is nothing of the sort. The cat has leapt up onto the sideboard next to Kate and - well, Kate isn't sure what happens next. Just that suddenly there's movement and something large seems to lunge at her. Miss Hoppity yowls and speeds off: Kate screams as she battles something, falling backwards and hitting the floor along with a broken bowl of water, spilled apples and some tiny candles, and her attacker.
Pushing the food-turkey off her, Kate sits up and is, for once, entirely lost for words.
WHERE: The Inn
WHEN: 24th November
OPEN TO: E V E R Y O N E
WARNINGS: TBA
STATUS: OPEN
Aside from the days when she'd been too drunk or too hungover to get up, Kate's kept a farmer's hours all her life. Even in winter, when the bitterly cold winds that'd come up from the south and make its way through the cracks and holes in her ma's hut, she'd get up, get dressed, do her chores. But lately, it's been harder to extract herself from her bed. Benedict's been sharing her bed more often than not lately, and the chasteness of their interactions does nothing to change how warm and safe she feels. How little she wants to get up, get dressed, go out into the colder spaces of the Inn and do her work.
So, today, she's late getting out of bed - at least, by her standards. She's late getting down the stairs. She's late, so she's hurrying; she lazed in bed, and now she needs to start the fire in the main room. Start the fire, open the shutters, show that the Inn is standing and warm. And welcome, so she moves the -
No, Kate doesn't move the chairs stacked precariously at the front door as a rudimentary alarm of someone, something, coming through, because the chairs are gone. She neither dismisses it as one of the residents not getting the message, nor panics. Instead, she just opens the shutters to let in the dawn light and see if there are footprints, except, no, the snow has mostly cleared. The day is sunny. As welcome as it is, that doesn't help at all. Miss Hoppity jumps down from the foyer's desk to rub her face against Kate's skirt, apparently entirely unconcerned.
Kate eyes the cat for a moment, then approaches the closed doors leading to the main room. Closed, but with light coming through the cracks between door and floor, door and door frame. Cautiously, Kate opens one of the doors and peers in.
Then, she gapes.
The fire is blazing - hot, cheery - but so are the candles. The candles: candles on the unused candlesticks, candles clustered on tables, light up sideboards. Candles bobbing in bowls of water and apples. Candles white, yellow and red, when the village had none. Boughs of wheat, corn, decorate tables and the mantle over the fire, apples and pumpkins and collections of yellow, orange, red flowers seem to be everywhere.
And the food.
Each table is piled high with food. Roasted, baked, cooked on stoves and Kate knows how to cook, she knows how long this would all take, how many people, and it's impossible. What she's seeing is impossible to have done with the resources on hand: even an attempt would have woken up the whole building.
Disbelieving, Kate walks in. For a moment, she's entirely dumbfounded. Miss Hoppity, however, is nothing of the sort. The cat has leapt up onto the sideboard next to Kate and - well, Kate isn't sure what happens next. Just that suddenly there's movement and something large seems to lunge at her. Miss Hoppity yowls and speeds off: Kate screams as she battles something, falling backwards and hitting the floor along with a broken bowl of water, spilled apples and some tiny candles, and her attacker.
Pushing the food-turkey off her, Kate sits up and is, for once, entirely lost for words.

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"I'll happily take any of those potatoes you refuse to eat," Ravi says, always happy for a good mashed. "But I still may fight you for pie. Pie is always worth fighting for. That and a very good pizza."
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"I ate a lot of potatoes when I was on Mars -- A lot of potatoes." Raw, even, at the end. You do what you've got to do, but it gets pretty bleak after awhile, particularly after the ketchup runs out.
"Did I ever tell you about Mars?"
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"What was your primary objective while you were up there? Did you find anything fascinating from a scientific perspective? Signs of life?"
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"No signs of life," I add, since Ravi seems to be particularly interested in that. "But the soil has the components to support it, when you add fertilizer. While I was stuck there, I grew potatoes to stretch my rations. That's why I'm sick of them."
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"I was there with a crew about a month before that. I got hit by debris while we were evacuating during a storm. It fried my bio reader, they thought I was dead. It wasn't their fault I got left behind. But it took awhile for them to get back," he adds with a faint laugh. "But we weren't meant to be there a year and a half, so I had to get creative."
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The unfortunate part is that you have to go through a ridiculous amount of training and physical work to get there and Ravi is really better at the behind the scenes work. "Potato-creative," he clarifies. "I feel like there were far more opportunities. How did you manage to stave off concerns like scurvy and infection?"
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God, I still crave ketchup, crazy as that sounds. And not homemade, certified organic, fancypants ketchup. I mean fucking Heinz, loaded with sugar, 100% American ketchup.
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"Not that I'm saying that you should've been grateful for the experience," he qualifies, "just that it's beyond what we can even imagine." Then again, he's in the midst of a zombie apocalypse, so his imagination has been learning to stretch, recently.
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I can't deny that there's still and likely always will be part of me that yearns to go back into outer space, but more present is the part of me that feels like I used up my one Get Out of Jail Free card and I shouldn't press my luck.
"It's funny, because I had to go through a lot of crazy shit to get off Mars, to get home, and the part I was most anxious about was making the descent back to Earth."
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"How was it? Adjusting, that is? I'm assuming you immediately crusaded to rid potatoes from your sight?" he guesses.
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"And honestly, it was long and a little tedious. I did have the entire trip back to Earth to recoup before we landed, but after that it was a parade of doctors and press for a long time. I wouldn't recommend it."
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Sitting back, I take a slow sip from my beer, considering. "Honestly, it was the reaction from the people that was more satisfying than anything I got from my colleagues. People writing me letters, kids saying they wanted to be astronauts because of me. That part I wouldn't change. It almost made it worth it." I laugh. "Almost."
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"Hazards of being a medical examiner with an interest in world-ending diseases," he says. "If you do your job right, no one really knows how close they came to the apocalypse."
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"Were you with the CDC?"
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"But I was right," he insists, through gritted teeth of suppressed joy, the sort that gets suppressed when you think about the fact that he's happy about something that's going to end the world. "Honestly, if things keep going downhill, Mars might be the best option," he advises.
no subject
If you believe the memories of the people here, there are a lot of different people from a lot of different circumstances, many of them scary or upsetting. People coming from war or post-apocalyptic scenarios. Yet this still shocks me a little, perhaps because I see Ravi as a scientific colleague -- And yeah, I know how that sounds. When you come from the background I do, it's just easier to trust in people who believe in the power of empirical evidence and the scientific method. And sure, this guy is excitable, but he's also clearly professional, and he doesn't seem prone to flights of fancy.
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Judging by his inability to fabricate a cure that works and the growing number of zombies in Seattle, he can only extrapolate how long before the rest of the US and then the world are infected.
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"So, what? Are we talking about an extinction event here?" I ask, my brow deeply furrowing as I watch him. I don't know where Ravi is on my timeline or if he's on my timeline at all, but it's kind of hard to not worry about a pronouncement like that.
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Because, honestly, what happens to you if you go crazy in a place like this? He does not want to be the one to learn about what the village asylum might be.
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I don't want to give the impression that I don't sympathize -- I think most of us, particularly those of us of a more analytical, scientific ilk, had concerns about what to believe and what not, at first. But there comes a point where, in a place like this, you have to make up your mind to believe everything or believe nothing, because when the laws of physics and reason might not apply, it's really hard to judge.
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"It's sexually transmitted, even with condoms, and scratches are how it's transmitted. I mean, bites obviously, but the patients don't get to the rabid state until days or starvation. Liv called it full zombie mode." It had been enough to scare Peyton out of town without even a phone call, but then again, it's not like everyone could have deduced it like he had. "My coworker and roommate were zombies," he says, breathing as he gets it out. "I haven't actually told anyone that ever. I mean, Peyton knew, but she also fled the city when she found out and Blaine, well, he just forgot everything..."
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But even now, even here, after all this time, my brain still catches on 'my coworker and roommate were zombies.' I don't think I'm being unreasonable in needing a moment to process that one.
"Wait," I say, lifting a hand to stop him before elaborates further. "They were zombies and yet they were sentient?"
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"My coworker, Liv, worked in the morgue with me. Convenient food supply," he provides. "If you were rich and had connections, there was a local dealer who would provide you with the necessary food you needed. Of course, we had to go and cure him, but he had underlings. For now, the zombie population is in check, but the potential for spreading is monumental."
"It's why I was working on a cure, before I got here. I had something, it was so close, if you ignore the whole 'temporary' part and how the generation two version had that slight little amnesia problem."
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