elektra natchios | blacksky (
blacksky) wrote in
sixthiterationlogs2019-02-09 01:19 pm
three | wonder what it's like to touch and feel something (open)
WHO: Elektra Natchios
WHERE: open prompts: around the village, Dojo, and Inn. closed prompts: Elektra's house, Hawke's place.
WHEN: closed prompts backdated to directly post-oms, open prompt: Feb. 9 onward.
OPEN TO: ALL, closed prompts to: Matt Murdock and Hawke
WARNINGS: mentions of enslavement and death
WHERE: open prompts: around the village, Dojo, and Inn. closed prompts: Elektra's house, Hawke's place.
WHEN: closed prompts backdated to directly post-oms, open prompt: Feb. 9 onward.
OPEN TO: ALL, closed prompts to: Matt Murdock and Hawke
WARNINGS: mentions of enslavement and death
open | off-colors plot
It is one of those things that simply happens first thing in the morning. Her wristwatch beeps and suddenly goes haywire. There's an awful second where she has to wonder if this thing will blow up and take her hand with it. The device stabilizes with only to shift color from red to teal. With it, Elektra feels changed. It's like someone came along and cleansed away all the pain from the reveals at that shrine. All that's left is sobering take on the world as it is now. She feels freer than ever.
Not much changes really. Elektra works on cutting wood outside her home so she can keep that cellar fire going to bathe. She heads to the Inn for breakfast, lunch, and dinner. In between these meals she goes to the Dojo to train. She travels around the village, gathering information, and taking in the state of things. She goes to the woods to see what's lurking about. She does it without all the usual charm and playfulness. Her mouth is set in a hard line. She behaves more like a ghost haunting the village than a person engaged it. It's better this way, isn't it? She can't be sad that Danny Rand, an ally, is gone. She doesn't have to hurt over the thought that if he knew the truth, he'd try to kill her as others have in the past. She doesn't have to be upset over what she's seen or how people have reacted to it. It's just her getting ready for the inevitable fight. There's nothing special about that.
post-oms | closed to: Hawke
She's put herself back together again as best she can. That doesn't mean she is alright. It doesn't make everything more bearable. Elektra is no longer shouting at people at a supposed holy place. Small favors? She can feel it itching under her skin; she's disgusted with what she is and what is to come. She doesn't know how to bear the overwhelming self-hatred. It's choking the life out of her. She can't talk to the only people who might understand it. Rand will kill her if he knows the truth. Matthew considers the matter over and done despite the fact it isn't for Elektra. Francis tries, but everything she says comes out as gibberish to him. She needs someone outside of this. She needs Hawke. "We need to talk." That's what she leads with when she tracks the woman down at her home. Elektra doesn't really look like herself. She seems tired, desperate, and painfully on edge. "Please."
post-oms | closed to: Matt Murdock
She doesn't let him back in the house once they're back. Her excuse is the place isn't habitable. It's very true. The house has gone without anyone tending to it for almost a week in the terrible cold. She'll need to look the whole place over with Francis to ensure they can still live in it. Once that job is done there is the harder job of getting it habitable again. There's wood to cut, a cellar fire to get going, etc. It's a big job. She knows he can't help her with it. It's better to send him off until the place is safe to live in again. Matthew hasn't lived the easiest life, but she's used to this kind of hard living from spending all her formative years with Stick. Better to let her fix this problem than let him suffer with her until it's done. Any arguments or discussions they may have can wait.
It takes less than two days to finish everything with Francis' help. She texts him once it's officially done to let him know the house is ready for him again and waits with a cup of coffee. She doesn't know what to expect. His rant at the shrine made it very clear he had a lot of feelings about her death that he hasn't addressed until now. Maybe that was the end of it or he has more to say. All she can do is wait and see what he does.

Off Colour
So, she doubts that's it, but she's still puzzling out the what of it. She's just finishing up with making breakfast when she sees the woman, and though she's only seen her around, anyone is a new source of information. It's rude to interrogate anyone, but inviting them to tea? Well, that's simply polite.
Setting her plate down, she gives the woman a warm greeting smile. "Hungry?" she asks, gesturing to the plate and the space across from her. "I always make too much, I'm not very good at cooking, but even I can manage breakfast, even if I never judge the amount right."
no subject
no subject
Reaching a hand over her plate, she offers an easy smile. "Peggy," she introduces herself. "A breakfast aficionado, then?" she guesses, though it doesn't seem that difficult to take a stab at.
no subject
(no subject)
(no subject)
(no subject)
post-oms
Matt's been staying at the inn while she toiled away at their house. Whatever 'they' are supposed to be. He wants to help, wants to be useful, wants to be anything other than a burden. But sitting alone in a bed cooped up in the inn while a few minor cuts and bruises - souvenirs from the hike back, no cause for concern - he just feels like a liability. Bad debt below some cutoff line on a spreadsheet that he used to fight for fairness for in court.
It takes him some time to slink back to her with his tail between his legs. Not because he can't find his way - thanks to Foggy he's cut down the time it takes for him to get between the inn and their place - but he's filled with apprehension and uncertainty when he's standing on the porch with his hand on the ice-cold doorknob.
Why did he think they could ever make it work?
Taking a deep breath, Matt breathes out a sigh as he twists the doorknob and steps inside quietly. He looks too tired to argue, but you can't put the desire to argue past Matt. It's probably the only thing he's still good at out here.
no subject
"I'm in the kitchen." She announces as she works. He'll join her or he won't. She has no interest in chasing him at the moment.
no subject
He lingers around the entrance to the kitchen, running his fingertips down the doorframe. They might have had their ups and downs but they haven't rehearsed for this sideways part of their relationship.
"Elektra, I--" he starts, but then he thinks that him starting and not stopping is what led to this, so. He reconsiders what he was going to say, takes a deep breath and swallows the coldness of her shoulder with a dollop of much needed humility.
"I'm sorry."
no subject
"And I.... I'm scared, Matthew. I'm terrified." Her fingers dig into his skin as her eyes water tellingly. It's difficult for her to live with what she is and what could happen to her. Neither are alone in their pain. "But, I love you. You know that, don't you? Even when we're screaming at each other like fools at a shrine." She chuckles a little because God that was stupid even for them.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
But she doesn't look... right. Matt's in the Inn, and he's not talking, and Elektra's strangely withdrawn, all the polished mask of the Natchios heir gone and Foggy has no idea what happened, but he can take a guess.
He approaches her at the Inn one meal, bringing over a bowl for her as well as himself and offering it out. "I know we're not really friends, but... you look like you need someone to talk to? By which I mean, you haven't seemed yourself and I'm willing to listen if you want someone to talk to."
no subject
Elektra honestly wasn't sure if it was in her head until now. Something must be wrong if Foggy is nice to her... or maybe he's nice in general. They both have to a lot to learn about the other yet. She accepts the bowl, lips turning down as she considers his offer. There is no reason to say no. Maybe he can help her work out what's different. "I don't feel anything." Her brows furrow because clearly that's not the norm for her. Most people would correctly label her as passionate even when she wasn't being her authentic self. Some things still shine through the mask as it were. Now it's like everything has been turned down to one. It leaves her bereft.
no subject
He sits down slowly, folding his hands on the tabletop. "That... doesn't really sound right. Do you think it's a reaction to whatever happened to you up on the mountain? And no, I don't know what that was, I just know how badly it messed up some other people. If your life has been anything like Matt's, there's probably a lot of trauma lurking that you've not reconciled with."
no subject
"It could be. I always pulled myself through everything without complaint for the sake of the war. Now that I know what I know it does seem like a waste of time." She takes a few bites before realization hits her that he might have no clue what she is talking about. Elektra looks up at him, brows furrowing as she swallows. If they're going to talk, he is going to need to be on the same page as her. "What do you know about that? I know you lived to the end of it, but do you even know what the fighting was about?" Honest question. It was purposely kept under wraps because no one believes in near immortal beings unless they're wielding hammers or shields.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Dojo
Which in this case is approaching her on the mats, offering her a brief nod.
"So, if you could have any weapon to practice with, what would it be?" he asks, arms folded across his chest, white wristband visible from his device. He thinks he's finally come up with a way to help.
no subject
no subject
"Great weapon, non-standard at that. Unfortunately not something I can manage with wood. Wish I could, the principle of sword-breaking techniques have always fascinated me."
no subject
"If wood is all we have to work with, I could also use tonfas." She does prefer wielding two weapons overall. It is something she can share with Matthew when things inevitably go south.
(no subject)
(no subject)
(no subject)
no subject
Getting tired, Rich Girl? [ miller calls out to her in place of a greeting. he wants to know if she's winding down so they can talk, but the question serves a dual purpose: he'd like to test out his new powers if she's amiable. ]
no subject
The first sign something is wrong? Elektra acknowledge she can get tired.] Yes. [She manages between breaths.] Why?
[The robotic tone likely isn't helping either.]
no subject
Game for another experiment?
(no subject)
(no subject)
(no subject)
no subject
"Of course," she says reassuringly. She immediately puts an arm around Elektra protectively, leading her into the house. Reyes isn't there, but they have new electricity now and it's warm inside. She's getting used to having it so readily available in their space. Hawke tries to draw Elektra down to sit on the couch. "My housemate won't be back for hours, it's private here." She has a feeling she'll need that. "What's going on, darling?"
no subject
no subject
"I would remind myself that I am not bad, I am me. Whatever's inside of me, I'm still who I've always been." She reaches out to take Elektra's hand, squeezing it. "Dearest, what happened?"
cw: suicide
(no subject)
I DO WHAT I WANT
So when he spots Elektra walking in, he waves her over straightaway. Bruno is quick on her heels too, like he's trying to corral her towards Frank. "Hey, El. Here for breakfast?" The red communicator is a dead giveaway on his wrist, as is the smile that still doesn't reach his eyes even as he chugs down an impressive gulp of coffee.
gasp rebel!!!
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)