Credits & Style Info

Apr. 2nd, 2017

3ofswords: (suspicious)
[personal profile] 3ofswords
WHO: Kira
WHERE: Between house 40 and Ren’s grave just south of it
WHEN: April 2, after Casey starts ransacking Ren’s house
OPEN TO: All
WARNINGS: Grief, memories of Ren’s death and body
STATUS: Open


He’d been in the house while it was still smoldering from the lightning damage. The month of damp had only set the skeleton of it groaning, a thing that played the wind each night so that he would wake and go to the window, watch the trees lash out at its beams in the light of the moon. It hadn’t occurred to Kira to go back inside, that anything beyond his and Jean’s initial rush to grab what they could carry was necessary.

Today feels the opposite of necessary.

The roof has started to sag into the structure, warping the symbol he’d copied one afternoon from their own roof, going over his notes--the crack, the fireflies, the remnants of the wendigo too old to be a threat. With the sunlight beaming down, there's the faintest impression of it, as if the materials have been thinned by the fire. He’d been staring at that when Casey takes the axe to a wall, startling him with a splinter of noise.

When Casey mentioned scavenging from the house, Kira hadn’t realized he meant to tear it apart.

He understands it’s just another building, to most. He understands it’s a practical source of materials, and nowhere that anyone is likely to take shelter. The charred beams should be broken down into firewood or smaller blocks and boards. There's plumbing and the makings of electrical work. There's a furnace to rip the parts out of. He understands Ren would likelier approve of Casey’s tearing the house apart than Kira’s fleeing it, banging back out the door with Aurora clumsily on his heels.

Fuck Ren, for that. Fuck Casey.

It’s only that understanding that drives him away, flight over fight. He pauses once at the tree caddy-corner to the back of the house, one hand out and leaning to catch his breath, a panic he can’t place the start of stealing it from his lungs. When Aurora runs into the back of his legs, the lurch of it turns his stomach, and he realizes--the valley of roots and earth he’s standing in is the one where he dragged Ren’s body, adding streaks of dirt to the violently purple bruises of the lightning strike.

They had to put it back in the house, after. Once the fires burned themselves out, once they were sure the walls stood enough to keep animals out. And then Jyn, and then the grave, and then—

He wipes a hand over his face, finding the dog sitting on his feet when he looks down. She shouldn’t annoy him, doesn’t annoy him, but he doesn’t spare her the movement of his feet when he pushes off from the tree and stumbles past. She barks at him once, but he hears the leaf litter crunching under her paws as she follows.

Kicked dogs, he thinks, and he wonders what that makes him, heading for Ren’s grave and venting the nervous energy by scratching his hands up through his hair, testing the bruise on his jaw, resisting the stupid impulse to slap it and see if it shakes the nausea out. It’ll just hurt, and nobody needs anyone hurting themselves out here. There’s plenty else to fuck with them outside their own lack of coping mechanisms.

Maybe the grave is one, some part of him calming when he sees it. Every stone intact, the star still neatly carved in the base of the tree.

Finding a seat on the gentle slope of stones and moss that covers the grave, he lets Aurora overstep her own growing legs, swaying up into his lap and snuffling at his hip before planting her ass back on his feet. “What the fuck do you want,” he huffs, not for the first time. She isn’t something he thinks of as his, and he wasn’t the kid who hated growing up without a dog.

When she tilts her head, he pulls his hands from his pockets, away from the knife he’d nearly lost, and rubs up the soft short fur of her ears. “Go bite that asshole on the calf for me, I’m trying to be pissed off at the world.”

[Feel free to find him anywhere between exiting Ren’s old house and at his grave, a very young black shepherd at his heels.]
theroadremains: (But you'll never have my heart)
[personal profile] theroadremains
WHO: Son of John (Casey)
WHERE: House 40 (what remains of the burnt out husk after the lightning fire)
WHEN: April 2nd
OPEN TO: OTA
WARNINGS: Some light mention of blood and Casey's blatant disregard for the prior possessions/living quarters of the dead (or the delicate nature of dealing with issues regarding deceased parties).
STATUS: Open to new threads


If he's dead then he's not using it. How is this a problem? )

[OOC Note: Feel free to come by at any point during this log]
yorkist: (Default)
[personal profile] yorkist
WHO: Bess
WHERE: Fountain/House #51
WHEN: 4/1 + onwards
OPEN TO: OPEN
WARNINGS: Aside from maybe some amusing 15th century cursing, nothing.
STATUS: backtagging


โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”

Fountain โ” April 1 )

โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”

Village + House #51 โ” April 2 & beyond )
unmakeme: (Default)
[personal profile] unmakeme
WHO: Natasha Romanoff, one person or group for her arrival, and anyone who wants to find her wandering around
WHERE: starting at the fountain, then most likely up and down every road in the place taking an inventory of her surroundings
WHEN: Sunday afternoon for her arrival, exploring the town can cover the next couple of days
OPEN TO: all
STATUS: open

NOTES: Please let me know where and when you'd like to run into her in your subject line. if you have an idea for a starter that you're not sure of, hit me up on plurk or discord and we can talk about it.

arrival - still open

It's possibly not as surprising as it should be, coming into awareness far enough underwater that the pressure in her ears almost hurts and she can't see what's around her. One moment, she's lying down with a headache, a mild anti-inflamatory and a glass of water. The next, her head is clear and the water is murky and everywhere. There's weight on her back, straps, she shucks them quickly. The boots, waterlogged and heavy, won't come off as easily. She skips that and begins kicking for the surface. Her hands find a wall quickly, and she pushes off, hoping to use the momentum to get her to the surface, only to be brought up short by something else. So it's not wide, only deep. She points herself straight up, struggles toward what she can now see is a small patch of weak light.

By the time she breaks the surface, the headache is back. She knows it will pass, though. It's not much work to heave herself out of the fountain and onto the stone path, lying on her back, arms above her head, sucking in deep breaths to clear her head. She takes a brief inventory. She has no injuries, sturdy boots, black hospital scrubs. Or perhaps another dark colour and they only look black because she's soaked. The weather is mild, wherever she is. Not dark enough yet to see any stars for help in determining her exact location.

exploring

The way out is not back through the fountain. That would have been too easy. So all that leaves is every other conceivable options, and quite a lot of ground to cover. She starts with the buildings closest to the fountain - the blacksmith, the police station, the inn, then over to the the butcher and baker, and further along that road to the hospital, schoolhouse, and town hall. She doesn't go looking for people specifically, not right away - just for the lay of the land. She works her way out further, traveling down winding roads, counting out houses and making mental note of which seem to be occupied and which appear deserted. Every path out of town brings her up short, and adds to her frustration. There is a way out, she just can't find it. That doesn't sit well with her. None of this does.

SUNDAY
afternoon - arrival - n/a
afternoon - schoolhouse - Kira
afternoon - town hall - Peggy
evening - mill - Clint

MONDAY
morning - police station - Wanda
fishermansweater: (Wry amusement)
[personal profile] fishermansweater
WHO: Finnick Odair & Annie Cresta
WHERE: House #57 - The Windemere, and the woods
WHEN: April 2 - 9
OPEN TO: Everyone! Let us know whether you're after Finnick or Annie or both of them in your subject line. Or look out for a separate starter from Annie and tag her there.
WARNINGS: Nothing so far, but if things come up we will edit.
STATUS: Ongoing!



Twelve birds, five of them geese who are now getting towards fully-grown, are too many to keep in the house.

The birds living or sleeping in the house was never meant to be permanent, but they'd arrived in the midst of winter, and even knowing next to nothing about caring for birds, Finnick and Annie had known they couldn't be outside when they were so little and vulnerable. Now, though, their oldest geese are starting to look recognizably like adults, and the noise and the mess and trying to keep them fed indoors is too much.

The difficulty is that there's nowhere they can safely leave them without the risk of them wandering off and annoying Johanna by settling into her front yard, or wandering further afield and disappearing into the woods, where predators await. There's the remains of a fence around the house, but even the bigger birds would have no trouble escaping through it. Finnick and Annie have been talking, as the weather grew warmer, debating what to do and where to keep their flock. A little experimentation, and a lot of brush gathered from shrubs and trees, and they've done some experimenting and worked out a hardy-looking brush fence. The start of one, at least.

Once the fog has cleared, they've gotten to work, harvesting wood, shaping fenceposts, and soaking branches in their bathtub to make them pliable enough to weave. Most of the first week of April, one or both of them is usually out the front of their home. They smooth down the sturdier branches they're using for fenceposts, with a machete or Finnick's bright orange hatchet. They've borrowed a toolkit from the Inn storeroom to help, and the hammer proves useful when it comes to driving in the fenceposts. Once the posts are in, Finnick and Annie set to weaving the water-soaked wood into a fence.

The entire endeavor is made somewhat more difficult by the curiosity of the geese, who have taken to trying to nip at the brush if it's left too long unattended. In general, though, that just makes their owners laugh, and shoo them a little. Star and the three younger peacocks are less involved, choosing mostly to perch on the front porch and watch, occasionally keening at their foster-siblings.

The two victors are busy at work for day after day, and occasionally one or the other of them can be found in the woods, gathering a new bundle full of brush to take back for the fence.

Wherever they're found, there'll be a pause in the work if anyone approaches. It's necessary to assess any newcomers.

By the looks the geese give, they think so too.