Natasha Romanoff / Black Widow (
unmakeme) wrote in
sixthiterationlogs2017-04-02 10:56 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
arrival and exploring
WHO: Natasha Romanoff, one person or group for her arrival, and anyone who wants to find her wandering around
WHERE: starting at the fountain, then most likely up and down every road in the place taking an inventory of her surroundings
WHEN: Sunday afternoon for her arrival, exploring the town can cover the next couple of days
OPEN TO: all
STATUS: open
NOTES: Please let me know where and when you'd like to run into her in your subject line. if you have an idea for a starter that you're not sure of, hit me up on plurk or discord and we can talk about it.
arrival - still open
It's possibly not as surprising as it should be, coming into awareness far enough underwater that the pressure in her ears almost hurts and she can't see what's around her. One moment, she's lying down with a headache, a mild anti-inflamatory and a glass of water. The next, her head is clear and the water is murky and everywhere. There's weight on her back, straps, she shucks them quickly. The boots, waterlogged and heavy, won't come off as easily. She skips that and begins kicking for the surface. Her hands find a wall quickly, and she pushes off, hoping to use the momentum to get her to the surface, only to be brought up short by something else. So it's not wide, only deep. She points herself straight up, struggles toward what she can now see is a small patch of weak light.
By the time she breaks the surface, the headache is back. She knows it will pass, though. It's not much work to heave herself out of the fountain and onto the stone path, lying on her back, arms above her head, sucking in deep breaths to clear her head. She takes a brief inventory. She has no injuries, sturdy boots, black hospital scrubs. Or perhaps another dark colour and they only look black because she's soaked. The weather is mild, wherever she is. Not dark enough yet to see any stars for help in determining her exact location.
exploring
The way out is not back through the fountain. That would have been too easy. So all that leaves is every other conceivable options, and quite a lot of ground to cover. She starts with the buildings closest to the fountain - the blacksmith, the police station, the inn, then over to the the butcher and baker, and further along that road to the hospital, schoolhouse, and town hall. She doesn't go looking for people specifically, not right away - just for the lay of the land. She works her way out further, traveling down winding roads, counting out houses and making mental note of which seem to be occupied and which appear deserted. Every path out of town brings her up short, and adds to her frustration. There is a way out, she just can't find it. That doesn't sit well with her. None of this does.
SUNDAY
afternoon - arrival - n/a
afternoon - schoolhouse - Kira
afternoon - town hall - Peggy
evening - mill - Clint
MONDAY
morning - police station - Wanda
WHERE: starting at the fountain, then most likely up and down every road in the place taking an inventory of her surroundings
WHEN: Sunday afternoon for her arrival, exploring the town can cover the next couple of days
OPEN TO: all
STATUS: open
NOTES: Please let me know where and when you'd like to run into her in your subject line. if you have an idea for a starter that you're not sure of, hit me up on plurk or discord and we can talk about it.
arrival - still open
It's possibly not as surprising as it should be, coming into awareness far enough underwater that the pressure in her ears almost hurts and she can't see what's around her. One moment, she's lying down with a headache, a mild anti-inflamatory and a glass of water. The next, her head is clear and the water is murky and everywhere. There's weight on her back, straps, she shucks them quickly. The boots, waterlogged and heavy, won't come off as easily. She skips that and begins kicking for the surface. Her hands find a wall quickly, and she pushes off, hoping to use the momentum to get her to the surface, only to be brought up short by something else. So it's not wide, only deep. She points herself straight up, struggles toward what she can now see is a small patch of weak light.
By the time she breaks the surface, the headache is back. She knows it will pass, though. It's not much work to heave herself out of the fountain and onto the stone path, lying on her back, arms above her head, sucking in deep breaths to clear her head. She takes a brief inventory. She has no injuries, sturdy boots, black hospital scrubs. Or perhaps another dark colour and they only look black because she's soaked. The weather is mild, wherever she is. Not dark enough yet to see any stars for help in determining her exact location.
exploring
The way out is not back through the fountain. That would have been too easy. So all that leaves is every other conceivable options, and quite a lot of ground to cover. She starts with the buildings closest to the fountain - the blacksmith, the police station, the inn, then over to the the butcher and baker, and further along that road to the hospital, schoolhouse, and town hall. She doesn't go looking for people specifically, not right away - just for the lay of the land. She works her way out further, traveling down winding roads, counting out houses and making mental note of which seem to be occupied and which appear deserted. Every path out of town brings her up short, and adds to her frustration. There is a way out, she just can't find it. That doesn't sit well with her. None of this does.
SUNDAY
afternoon - arrival - n/a
afternoon - schoolhouse - Kira
afternoon - town hall - Peggy
evening - mill - Clint
MONDAY
morning - police station - Wanda
exploring - schoolhouse
With the chalkboard gone and the woman making use of the space disappeared, the schoolhouse makes for a decent place to hole up. It isn't so cold out now that he has to get a furnace working, and it isn't as clean or put to purpose as the town hall, as trafficked as the inn, and so far Casey hadn't appeared to rip its windows out--and that's what he really wants, right now. A break from even the people he does let close, where he can sit at the larger desk designating the front of the room, and write down what he's learned since the crack in the walls.
He's staring at his sketch of the symbol on Ren's roof when his attention shifts to the door, a moment before it opens. It doesn't feel like his powers have grown any stronger, but maybe--in the absence of sixty emotional beings clamoring for attention--he's getting better at noticing the small moments of anticipation.
Not that he could anticipate the woman returning to this place, so long after Peggy mentioning the loss. Ren had claimed no memory of his first arrival, but maybe he'd been a special case, or maybe she hadn't entirely left at all. "Do the others know you're back," he asks, half-risen from the chair. He didn't know her personally, but he's acquainted enough with Sam and Peggy to seek a reunion.
no subject
no subject
Kira didn't know her well enough before to know now if she's still managing the confusion of her arrival, or makes a habit of bluffing her way through simple conversation. "You used to come here, when you were in this canyon before. Do you remember anything about it?"
no subject
She shakes her head, looking around the building, an expression of vague recognition tempered with confusion on her face. "I've got such a headache, and everything is... muddled."
no subject
"You don't really have to lead me into telling you about this place, or your life before," he says. "You can just ask, though I didn't spend enough time with you to really know the latter."
(no subject)
exploring - town hall
Her heart beats just a moment faster, wondering if that means Steve is also here, somewhere, but she refrains from being too hopeful and instead regards the other woman. "Are you searching for someone?" she asks, wondering if Natasha remembers her or whether it will be just like Bucky again, though she doesn't look that different.
no subject
no subject
"I'm afraid I may be poised to disappoint you," she warns, "I have a great deal of information, but it might not make the sort of sense that anyone is after."
no subject
no subject
"Ah," is all she says, inevitably, because either she's being tested by a Natasha who remembers, or this is another version of the woman she'd grown to call her friend.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
exploring - the police station
Her guard instantly rose. She hadn't know that Natasha had arrived and she wasn't sure what to do about it. Sam had told her that people arrived from different times and Peggy proved that fact. So would Natasha see her as an enemy or an ally.
This was more complicated than Wanda liked. She waited a half second before speaking. "Natasha?" Her accent was a give away for a spy like Natasha but Wanda didn't think that mattered.
no subject
Wanda looked tense, but fine, though Natasha noticed how that tension only really amped up when she was spotted. She just nodded her head at the girl, acceptance and recognition. "Wanda. Are you all right? You look..." She raised a hand, twirling her finger around, trying to encompass the look on the girl's face and the set of her shoulders.
no subject
"How long have you been here?" She hadn’t known that Natasha was in the village though considering how often she spent in her room it wasn’t much of a surprise. Wanda was slowly finding ways to be useful in the village.
no subject
Thoughts for another day, though. If she got lucky, thoughts for no day at all. She didn't really want to go poking at her own murky depths. Nothing good ever came from that. "Not sleeping?"
no subject
"It's good to see you." Any friendly face was nice. "I was wary before. Thor told me that people come from different times." Which could easily be a problem for Wanda considering how she met the Avengers.
"Do you know where you are staying?"
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
exploring - hospital
He doesn't notice Natasha until he is at the door of the hospital, pausing to set the water bucket down and turn the 'OUT' to 'IN' on the sign.
"Hello," he says. She looks healthy enough and while he can't be sure, he decides to ask, "You weren't...coming here were you?"
no subject
no subject
"Or if you have any medical knowledge, we could always use more hands on deck," he added, not really sure why anyone would want to explore the hospital.
no subject
no subject
"No, I suppose you don't, but it would determine how I would need to respond to you," Rory said. He turned the sign to 'IN' and opened the door for her, "Thankfully we haven't needed too many patch jobs yet. But given human nature I imagine it's only a matter of time."
(no subject)
(no subject)
Exploring - the mill
But this day Clint's alone, taking a break near the end of the day before he heads back in to grab some dinner. Wanda or Sam might've made something, or maybe he'd grab something from the communal meal at the inn, but a day of labor makes you hungry and- Someone's coming. He can see a figure approaching on the road, heading towards the bridge from where he's sitting with his back against the building, drinking a cup of water he'd scooped out of the river as a quick refresher, and that someone is definitely female. Wanda or Peggy come to call him in and make sure he hadn't passed out? They're both more worried about him than they needed to be after the firefly illness. But no, the hair's not dark enough for either of them, though the height is about right - and then he gets the first clear view he has of the woman approaching, and there's no mistaking. Only, she disappeared months ago, didn't she?
"Nat?" he calls, pushing to his feet and starting in the direction of the figure. "That you?"
no subject
If Clint's here, then the two of them will figure it out. They always do. Granted, this situation is a bit beyond the pale, but things suddenly seem a lot less doomed.
no subject
Still, Clint knows she has to have questions, so the hug is tight and heartfelt but not too long because there's other things to get down to. He backs away just enough for a comfortable speaking distance, still grinning, and all together not looking all that bad for someone living in a village with no technology. His clothes are a little beat up, but he tends to be hard on his clothing at the best of times anyway. He'd found a discarded shaving kit and has been putting it to good use, and his hair hasn't grown all that much, though it's not quite the short cut she's used to him sporting. He'll have to get that looked at at some point. And there's no way she won't note the throwing daggers in sheathes hanging from his improvised belt. There's also no way she'll be surprised by him being armed.
"Did you just get here?"
no subject
"Earlier today, yeah. Came out of a well. No idea where I came out of, though." Because yes, she checked. "Nothing down there now. Did you get a... survival pack?" That's what she's calling it, and she shuffles her shoulder in a way that bumps the backpack she's wearing. "How long have you been here? Where is here?"
no subject
"You tried to dive down again, didn't you." Because of course she did. The only reason he hadn't was because he arrived in January, in the middle of a cold snap, and not getting hypothermia was a more pressing concern. Other people telling him of the multiple attempts to find any sort of passage down there had convinced him not to try it again for a long time. "The backpack? Yeah, even though it's pretty light on the 'survival' gear. There's some stuff here for that, and people are good about pitching together and helping out, so it's not as dire as you think it is."
Still pretty dire. But at least they had first aid kits and people willing to do what's needed to help others.
"Months now - since midwinter." Clint sighs as he looks up, checking the time by the setting sun - there's no calendars in the village, no way to know what date it is or even really what month, but the days seem roughly about equal with the nights now and so it's possible to make an educated guess as to the date and time. "You haven't eaten, right? Come on, it's about time for dinner, we can get something in you and I can explain while we walk. We don't know enough yet. We don't have ways of finding out enough. We can't get out of here and there's no technology for us to rip apart and spy on. It's... been a challenge."
Nat should know that tone: he's been keeping himself busy with projects and meeting people and trying to form some alliances. He's been trying not to think about home, and his family. Falling back into "agent" mode, which can still be very much a normal man, but focused on completing a job above all else so he can move on.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)