Matt Murdock (
matt_murdock) wrote in
sixthiterationlogs2016-09-22 03:23 am
into the belly of a whale; [Arrival]
WHO: Matt Murdock
WHERE: Fountain, then along any street
WHEN: 22 September
OPEN TO: Frank & OTA
WARNINGS: Nothing yet
STATUS: Closed
For Frank;
For Matthew Murdock, there is no gentle upward tug, no gradual pulling back of the pleasant mantle of sleep, not on this day or most others, anymore. His torpor is stripped from him with ruthless efficiency, the image of Wilson Fisk's red smile still swimming hazily in his mind as he trips, body heavy and graceless, and knocks face-first into concrete with a rattle of his teeth.
Blood fills his mouth as he hisses a curse, hands instinctively rising to palm against the curved barrier, a wet smear beneath searching fingers as he swallows the taste of copper and shudders out a breath. His head tilts jerkily, birdlike, catching sound like cotton, everything a crimson blur pulsing with his own rabbiting heartbeat.
He drags in another breath, and then another, and takes an outward step. Trembling hand at the end of an extended arm, his fingertips at last brush against another wall, more subtly curved and cool to the touch. Slowly, he walks the circular perimeter, listening to the soft scuttle of leaves against the lip of the hole he's found himself so suddenly at the bottom of.
The darkness pulls in at his periphery, a creeping, misty threat, a window fogged with shadows.
There are cracks spidered along the outer wall of the cylinder, but nothing substantial enough for a handhold. A running jump is not enough to angle off the inner wall and out; his feet are sluggish and he tumbles, back smacking solidly to the ground.
"Fuck," he bites out with the breath left him, and pushes himself to his feet, frustration threading through his already precarious composure.
"HELLO?" he raggedly calls at last, bracing himself, prepared for the worst.
OTA;
Matt is still not convinced he has not, at long last, cracked his thick head hard enough to produce an incredibly convincing hallucination. He likes to think that if he were in a coma, he'd be nice enough to let himself see, or at least to not shack him up with Frank Castle, but in truth, that sounds like exactly the sort of masochism his subconscious would cook up when let off its leash. His everyday dreams are filled with Wilson Fisk beating him bloody; it isn't that far a leap to where he's at now, when you think about it.
But more to the point: Coma or otherwise, he is diminished, curtailed, knocked down about a hundred pegs, senses constantly straining for acumen they no longer contain. He is scuffing down a dirt street with a branch in hand, the bark still on and a few leaves, too, far too short for the job of sweeping before him so that he has to hunch like someone's granddad just to put one foot in front of the other.
Somewhere, Stick is doubled over laughing at him; this Matt is utterly assured of.
WHERE: Fountain, then along any street
WHEN: 22 September
OPEN TO: Frank & OTA
WARNINGS: Nothing yet
STATUS: Closed
For Frank;
For Matthew Murdock, there is no gentle upward tug, no gradual pulling back of the pleasant mantle of sleep, not on this day or most others, anymore. His torpor is stripped from him with ruthless efficiency, the image of Wilson Fisk's red smile still swimming hazily in his mind as he trips, body heavy and graceless, and knocks face-first into concrete with a rattle of his teeth.
Blood fills his mouth as he hisses a curse, hands instinctively rising to palm against the curved barrier, a wet smear beneath searching fingers as he swallows the taste of copper and shudders out a breath. His head tilts jerkily, birdlike, catching sound like cotton, everything a crimson blur pulsing with his own rabbiting heartbeat.
He drags in another breath, and then another, and takes an outward step. Trembling hand at the end of an extended arm, his fingertips at last brush against another wall, more subtly curved and cool to the touch. Slowly, he walks the circular perimeter, listening to the soft scuttle of leaves against the lip of the hole he's found himself so suddenly at the bottom of.
The darkness pulls in at his periphery, a creeping, misty threat, a window fogged with shadows.
There are cracks spidered along the outer wall of the cylinder, but nothing substantial enough for a handhold. A running jump is not enough to angle off the inner wall and out; his feet are sluggish and he tumbles, back smacking solidly to the ground.
"Fuck," he bites out with the breath left him, and pushes himself to his feet, frustration threading through his already precarious composure.
"HELLO?" he raggedly calls at last, bracing himself, prepared for the worst.
OTA;
Matt is still not convinced he has not, at long last, cracked his thick head hard enough to produce an incredibly convincing hallucination. He likes to think that if he were in a coma, he'd be nice enough to let himself see, or at least to not shack him up with Frank Castle, but in truth, that sounds like exactly the sort of masochism his subconscious would cook up when let off its leash. His everyday dreams are filled with Wilson Fisk beating him bloody; it isn't that far a leap to where he's at now, when you think about it.
But more to the point: Coma or otherwise, he is diminished, curtailed, knocked down about a hundred pegs, senses constantly straining for acumen they no longer contain. He is scuffing down a dirt street with a branch in hand, the bark still on and a few leaves, too, far too short for the job of sweeping before him so that he has to hunch like someone's granddad just to put one foot in front of the other.
Somewhere, Stick is doubled over laughing at him; this Matt is utterly assured of.

no subject
"I haven't seen you around, have you been here long?"
no subject
"And I don't have a watch anymore, so I can't say for sure, but I'd say three hours is a good guess. Give or take. I had no idea there'd been an earthquake. Was that recently?"
no subject
She lingers, cautiously, worrying how he's going to navigate this place without his vision. "I don't mean to be forward," she says hesitantly, "but can I get you somewhere on flat or firm ground? A place to sit down perhaps? I'd hate to leave you be and you're off to be injured."
no subject
This isn't strictly true, of course -- His blindness has never been truly limiting, not for extended periods. He's still waiting for the darkness at the edges of his vision to recede.
"Although, to be honest, I wouldn't mind a tour from someone who knows the place," he adds, tipping his head up with an openly hopeful expression. "If you're not busy."
no subject
"Do you have any particular interests? Something you'd like to see?"
no subject
"Is it alright if I take your arm right behind your elbow?" he asks, and slides his hand lightly back to touch the spot he means. "It's a bit easier for me that way."
no subject
"Let's start at the inn," she says decisively, because she thinks it's the best place to begin.
no subject
From the moment Matt tripped face-first into the inside of the fountain, tangible details about this place have been disconcertingly thin on the ground. But to Frank's credit, he'd made sure Matt knew enough to not starve. Probably not much of a compliment, really, but you have to consider who you're talking about.
Right now, it's enough that Peggy is close and smells comfortingly familiar, the faint scent of lavender and pine needles as he tucks in with his hand fixed just above the crook of her elbow.
"Have you been here for very long?" he asks, leaning his new pole against his opposite shoulder. "You seem pretty confident about where you're going," he adds with a smile.
no subject
Unfortunately, the canyons have been eluding her and refusing to let her finish an accurate representation, so it seems she'll have to continue onwards. "I haven't been keeping exact track, but I'd put it at some months," she says. "I don't think that's a very positive thing to be telling you, though. I'm sorry."
no subject
His brows goes slightly pinched, but he shrugs at her confession. "I don't know, there are probably two schools of thought there. Keeping track, or just getting on with surviving." Because if what he's understanding is correct, this place is more about surviving than not. How in the hell he's going to manage to contribute, he can't fathom yet, but he'll find a way.
no subject
"I didn't intend to be here long enough to need to keep track, I can assure you," she says, a touch stung at the fact that her attempts at discovery and escape have been so futile. "It feels like some days, all I do is look for a secret passageway out. Every day, I think perhaps today will be the day I find it. That I've just somehow missed it before," she says, telling not-quite-secrets, but sharing her frustrations. "And every day, I come home without a key to an exit door or even an inclination of where it lies, if it even exists."
no subject
"But you can't give up," he adds with a gentle squeeze to Peggy's arm. "The right thing isn't always the easy thing."
no subject
"Honestly, I think I'll keep going until it's through with me," she insists, thinking that she'll have to be put down or around the bend before she gives up on understanding why they're here, how, and a way to get out.