Kate Kelly (
lastofthekellys) wrote in
sixthiterationlogs2016-07-15 09:43 am
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what does it mean when you drown in a dream
WHO: Kate Kelly
WHERE: The Fountain
WHEN: 15th July
OPEN TO: OTA
WARNINGS: Potential panic attack
STATUS: Open
Kate wonders if her family has a touch of foresight. Ned predicted two deaths: Constable Lonigan, Justice Barry, both died as he said. She dreams of drowning and wonders. Wonders and then drinks, not that drinking helps her when she's already asleep and she opens her eyes underwater and thinks, Again?
There's light, which there isn't always, and a current that pushes her up, which never happens, and she kicks, kicks her way up.
(Is it her imagination or is she actually getting closer in this dream?)
There's weight on her back, pulling at her, digging into her shoulders, making it harder to move her arms. Her imagination or no, no, no, something always goes wrong, she always drowns and this is it, isn't it isn't it isn't it maybe she should just swallow water choke and wake up but that doesn't work she can't wake up she just has to kick and kick and kick and swim and oh God oh God she's actually drowning isn't she air air air air she needs air-
She reaches the surface, gasps, bobs back down, then kicks herself up again.
Air.
Coughing, spluttering, Kate swims over to the edge of the fountain. She takes a moment to haul herself over the edge, falls, but the fall isn't much. More of a roll until she hits the ground, struggles to all fours, all the while coughing up water fit to throw up.
She knows what she needs to it. Sit up, take stock. This isn't a dream, it's not. She needs to get her long, heavy hair out of the way to see, but she can't. All she can do is crouch, cough, and gasp in air.
WHERE: The Fountain
WHEN: 15th July
OPEN TO: OTA
WARNINGS: Potential panic attack
STATUS: Open
Kate wonders if her family has a touch of foresight. Ned predicted two deaths: Constable Lonigan, Justice Barry, both died as he said. She dreams of drowning and wonders. Wonders and then drinks, not that drinking helps her when she's already asleep and she opens her eyes underwater and thinks, Again?
There's light, which there isn't always, and a current that pushes her up, which never happens, and she kicks, kicks her way up.
(Is it her imagination or is she actually getting closer in this dream?)
There's weight on her back, pulling at her, digging into her shoulders, making it harder to move her arms. Her imagination or no, no, no, something always goes wrong, she always drowns and this is it, isn't it isn't it isn't it maybe she should just swallow water choke and wake up but that doesn't work she can't wake up she just has to kick and kick and kick and swim and oh God oh God she's actually drowning isn't she air air air air she needs air-
She reaches the surface, gasps, bobs back down, then kicks herself up again.
Air.
Coughing, spluttering, Kate swims over to the edge of the fountain. She takes a moment to haul herself over the edge, falls, but the fall isn't much. More of a roll until she hits the ground, struggles to all fours, all the while coughing up water fit to throw up.
She knows what she needs to it. Sit up, take stock. This isn't a dream, it's not. She needs to get her long, heavy hair out of the way to see, but she can't. All she can do is crouch, cough, and gasp in air.
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The same as the rest of them.
"What happened before here?"
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"I went to bed." Then she tilts her head a little, makes a small thoughtful sound. "There was practice, with my show. I helped put the horses away. I went to the pub. Then I went upstairs to bed.
I thought the water was a dream."
Which gives a reason as to why she's struggling so much to recover: her mind hadn't caught on to how serious the situation was.
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"Come," he coaxes. "We should find you a place so you can change into the dry clothes," he says, knowing there will be some in her pack.
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She knows she's awake, though. Fairly convinced. Time is moving too slowly to be anything else.
So Kate just offers Cougar a faint, crooked smile. Acknowledgement and understanding of his apology.
"The buildings," she starts as she gets to her feet, "they are liveable? I mean, they are safe?"
He is right about the clothes, though. She knows she shouldn't catch a chill, and knows there's weight in the pack on her back. But she doesn't want to stop and look in it until she's somewhere more secure.
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She's a stranger to him, which means that he's not ready to invite her into his place, but there's the inn that he can take her to in order to find a room for the short term. "Good for shelter. Sleeping," he says, seeing as the beds are better than conditions he's had in plenty of places.
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She can appreciate it, though. That there are safe buildings. That there are people, many people. That there are places to sleep.
(Isn't that a laugh, though. Her and sleeping.)
"Good. I'm glad." But then she glances at him as they walk. "Food? How much food is there?"
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"Here," he says, gesturing to the inn. "You can dry in here." He's already heading for the fireplace to get it going with a spark and a flint of some rocks, the wood that's been piled up dry in the dusty room.
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"There are weapons to hunt with? Rifles, shotguns? Or just traps?"
Do they have to make the traps, or are there some around? She doesn't ask that, not straight away. It's the next question.
The inn itself is... An inn. But it feels empty, dusty. It lacks the warmth of the owners and many patrons. But it's a solid-looking building and Cougar is already moving to start a fire. It helps keep her moving.
"I'll find a room and be back down. Put on some dry things."
Which is easier said then done.
She finds a room, finds some towels, but the chance to change out of her clothes and pull on the ones in the pack lets her examine what, exactly, her captors have put her into. And Catherine Ada Kelly is not impressed.
No drawers. No stays. Instead, she has these tiny fitted garments hugging her chest and her bottom. Instead of proper drawers, the white garments look like the seat of some trousers closely cropped in. And the - she doesn't even know what to call it. But it has a clasp on the back, adjustable straps.
It's all better than nothing, but still. She does not really approve.
There's also no comb, no brush, she knows after such a dunking her curly hair is going to be in a right state. Nothing for it, though. She pulls on the dry pair of the not-really-drawers and the top-part-of-stays (with some fumbling of the clasp on the later), pulls on the thicker socks and the flannel undershirt, then the blue, cotton overalls. Not that she can appear like this. Or, she won't, not if she has a choice. So towel in hand to keep drying her hair, when she emerges again she's wearing the black coat over it all. Buttoned up.
It's all the best she can manage.
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He waits for her, drawing a chair to sit in with one boot on the table. When she returns, he offers her the softest of smiles. He doesn't mean to flirt, exactly, but there's a part of him that always likes to be polite to a lady. Especially one that isn't trying to kill him.
"You will be warm in that," Cougar warns. "It's summer."
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"Summer's when it's a hundred in the shade. This is just spring."
She doesn't say: I won't be decent wearing anything else here while my things dry. For one reason, it's not true, but mostly, there's a difference between social charming and anything more and she worries that mentioning that will be seen as more.
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Then she looks at him for a moment as she accepts the glass of water and, apologetically, adds, "I can't place your accent, I'm sorry."
Swarthy and accented do not, as it happens, get a girl very far at all.
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"Sur de Texas, just South," he clarifies.
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If nothing else, because they are performing in Australia, to Australians, and giving their own twist on show and skills.
"But this is far from home for you? The..." She gestures towards the outer walls and beyond. "The forest and weather."
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He snorts a little as he gives her an amused look. "Wild West?" he echoes. "With guns and horses and vaqueros?"
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"With guns and horses and vaqueros," Kate says, not mangling the last word as badly as she might have.
"I had a fancy hat and everything."
She doesn't mention what she already implicitly agreed to - that she also had guns, and that she was accurate with them. You have to be, in a show.
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Pooch needs to stay with his kid. Clay and Aisha? No, Cougar wouldn't wish them on this place. "I'm not a cowboy, though," he clarifies. "I just had a hat." And a very big gun.
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The horses tended to stay. The few sheep, too. But they had enough cows for them, to milk and sell, and that was all.
When Ned and the Greta Mob stole cattle, they never came near Ma's selection.
"I do miss my hates. I saw the little... bonnet, cap hats our captors have given us. They ain't gonna be much use on a sunny day."
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He feels on display here, in a way he doesn't like. "Do you think there are horses here?" he asks. "Could you tame one?"
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The Kellys are famously good riders. Famously in love with their horses. She's been riding since almost before she could walk, and in that time has seen a wide, wide range of training and obedience.
"It takes time. Would need a paddock. A halter, a lead. Reins. But I could."
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"If you find one," he says, a longing look in his eyes that he can't exactly hide, "yes, find me. I would like to join."
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It hurts. She's a Kelly, and all of Red's brood have inherited a love of horses.
So she doesn't judge that longing, but rather matches it with a quiet smile.
"I will. I promise."
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He doesn't think that he's the best person to explain everything, given his limited English (and his even more limited talking), but he can do his best to get her to someone who can do a better job.
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Except is this what's doing? Really? Offering her skills like she's turned up to one of the world's worst job interviews? For farming? Her back and arms start to ache with the memory of countless hours of work. Even minding the sheep, the cows.
But if she sits here, she has the awful feeling that she's going to start to scream.
"I'd like that," is what she says. "Thank you."
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Cougar had found those during his initial exploration and keeps them in mind, because there are some nights he needs to not worry about hurting Jake or Veronica with his night terrors, if they ever come back.
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