The Sixth Iteration (
sixthiteration) wrote in
sixthiterationlogs2018-11-12 03:27 pm
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Entry tags:
- !mingle,
- !ota,
- - plot: worried/sick,
- 9: 7,
- ac: altaïr ibn-la'ahad,
- cinder spires: benny sorellin-lancaster,
- dc: alec holland,
- dc: jason todd,
- dc: stephanie brown,
- division: kira akiyama,
- division: ty rhodes,
- dmc: kat,
- dragon age: marian hawke,
- fall: stella gibson,
- ff: rinoa heartilly,
- ff: squall leonhart,
- humans: niska elster,
- incryptid: alex price,
- losers: jake jensen,
- m7: vasquez,
- marvel: bruce banner,
- marvel: eddie brock,
- marvel: frank castle,
- marvel: natasha romanoff,
- marvel: peggy carter,
- marvel: steve rogers,
- marvel: tony stark,
- star trek: beverly crusher,
- vtr: samantha moon,
- we: wynonna earp
[MINGLE] Worried/Sick 1: Symptoms Manifest & Reaction
WHERE: Anywhere; multiple locations
WHEN: Apx. 13-18 November
OPEN TO: ALL - MINGLE
WARNINGS: Serious illness and reactions to such
IMPORTANT NOTES: This is the first of two mingles. Please see the timing and general event details here.
Illness Presents and Putting Heads Together will have their own top-levels in this post, but you may make separate top-levels for whatever you like! Anything is welcome, as long as it tangentially relates to the Worried/Sick plot.
Please keep in mind the established plot details, but creative license is welcome and encouraged as long as it doesn't step on toes.
WHEN: Apx. 13-18 November
OPEN TO: ALL - MINGLE
WARNINGS: Serious illness and reactions to such
IMPORTANT NOTES: This is the first of two mingles. Please see the timing and general event details here.
Illness Presents and Putting Heads Together will have their own top-levels in this post, but you may make separate top-levels for whatever you like! Anything is welcome, as long as it tangentially relates to the Worried/Sick plot.
Please keep in mind the established plot details, but creative license is welcome and encouraged as long as it doesn't step on toes.
no subject
It's not, and it takes almost half a day of Peggy being gone from their house for Stella to realize she's not come home per her usual routine. On top of that, not a few of the other villagers have started to fall ill as well. It takes a little asking around before she finds someone who's seen Peggy headed towards the hospital, and a little more to come to the conclusion that whatever mystery disease has befallen them this time, no one seems to know how to cure it yet.
She does what any police officer would do, and goes towards the problem rather than away from it. Not only does she need to know what's going on, but she needs to find Peggy to be sure she's all right.
To say she's surprised to find the other woman trying to escape the hospital, looking haggard and feverish and dressed in clothing entirely inappropriate for the weather, would be incorrect. Stella isn't surprised. The last time she was this ill herself she'd tried to run away, too.
"Peggy—" She goes to her, without hesitating. Stella's not worried she's going to catch whatever Peggy has; if it's contagious, she's probably caught it already, and if it's not or she's somehow immune, there's no danger. She puts her hand on Peggy's forehead and comes very close to pulling it back sharply like a woman who's accidentally touched a hot stove, startled as she is by how actually overheated Peggy feels. "Jesus, you're burning up." And then, more seriously, "When were you planning to tell me you were going to hospital?"
She's not expecting a good answer, but she's trying to delay the other woman while she figures out how best to get her back in bed where she belongs in a state like this.
no subject
"I didn't mean to stay," she admits, turning into her shoulder to cough. "It got so much worse when I arrived, like a train hitting me. I'm ready to go home, though."
no subject
Stella doesn't normally try to order Peggy about, at least not when the other woman is in her right mind. But given that Peggy's almost certainly off her head with fever delirium — well, Stella really thinks she's not going to get anywhere here unless she's very straightforward. She thinks Peggy would be doing the same were their positions reversed, anyway.
"I'll fetch you a cool compress. You'll feel better."
no subject
"You can fetch me a cool compress at home," she argues, deciding to fight this with what logic is left. "I want my own bed, Stella," she pleads, aiming for sympathy. "Please, don't make me stay here for this."
no subject
But there's the issue of the fact that Peggy is really very, very ill, and Stella wouldn't be able to forgive herself if she acquiesced to the other woman's pleas and then something happened to Peggy for which she couldn't fetch a doctor in time. "You're in no shape to be standing up, let alone walking all the way back home," she says, reaching to steady the other woman with a hand on her shoulder because Peggy really does look as if she's simply about to fall over. "If you collapse I can't carry you."
She probably could, with a lot of effort, but that's beside the point. "Come on. Let's get you to bed. I'll stay as long as you need." Not only to keep Peggy company, but so she can watch her symptoms and alert someone if they worsen.
no subject
Only because it's Stella, though. She wouldn't do this for just anyone. "I don't like it here. It's too noisy and I feel like it's just a cesspool of illness," she complains, as if she isn't just as sick and contributing to the whole of the mess.
no subject
"I don't like it either," she admits. It's not as big or crowded as a modern hospital from Stella's time, but it still makes her skin crawl when it's like this. The only comfort is that no one's yet died from whatever's befallen them. "But I don't think we've got any choice."
She walks with Peggy, half supporting her with an arm round her shoulders. They are just lucky enough to find a single room off the main corridor that isn't taken yet, and Stella pulls the door partway closed behind them to shut out some of the noise before she helps get Peggy into bed — setting down the bucket of clean water she'd fetched from someone along the way before tucking the sheets over Peggy and adjusting the pillow under her head.
Stella pulls over a chair in order to sit by the bed, dipping a cloth in the water and sweeping it over Peggy's forehead. It's only temporary relief, but it's something. "Just rest," she says quietly. "I'm not going anywhere."
no subject
"I keep having moments," Peggy admits, feeling raw as she curls up in bed, allowing that cool cloth to give her peace, "and I forget where I am, who's here with me."
no subject
She soaks the cloth again, wrings it out, then reaches over to push Peggy's hair away from her face so she can run the wet fabric from her neck down to her throat and collarbone. This is very definitely not a level of kindness, of tenderness, that she shows to just anyone, but if anyone has earned it from her by now, it's Peggy.
That admission is a little bit worrying — her fever must be advanced, if she's losing track of things like that — but Stella tries not to let her worry show on her face. "I'll remind you," she promises. There's a pause, and then, "If there's anything else you need, just ask."
Even if it's just for Stella to sit here quietly and keep her company. She wouldn't be surprised if Peggy ran out of energy to talk.
no subject
There is one thing that she needs to ask, though she's not sure if Stella knows the answer. "Is there a cure?" She thinks of the previous illnesses and how they could be healed with a person's touch or with medicine. This seems interminable already, to the point that she's not sure why this one is so stubborn and holding on to so many people.
no subject
The latter is not a prospect she wants to spend too much time and energy on, which is why her next words are, "I'm certain it will only be a matter of time." Whatever this disease is, if it's anything like what they've experienced previously, no one will be killed by it. The symptoms are awful, but as yet the Observers haven't seemed interested in killing them off en masse.
She thinks of the lists of names on the computer in the bunker, though, and wonders if that might not be what happened in a couple of those instances. It's not a situation she wants to imagine.
no subject
Maybe that's just the fever settling in.
"Will you do me a favour?" Peggy asks, sweating and feeling her head throb with the ache, along with the fever. "Make sure that you're there, that you agree with whatever they find. I trust you." More than she trusts just about anyone, here.
no subject
Still, Stella's been trained to rely on her intuition; if her own personal standard of logic tells her something doesn't make sense, it's probably because there's something wrong with whatever she's being told. She will simply have to go by that and hope for the best, because no matter what happens, she has every intention of seeing this through.
Taking one of Peggy's hands in her free one, just to give her something to hold on to, she runs the cool cloth over her forehead again, wiping off the sweat. "I was ill like this, once or twice, when I was small," she says after a few moments of quiet. "I remember my father used to sing to me. Children's lullabies, mostly, though once I was ill in December and it was Christmas carols then."
It's a rare moment of vulnerability. Stella does not spend much time talking about her personal life, her past, and especially not her father — which just speaks to how much she trusts Peggy, in turn.
no subject
"Are we close to the holidays, then?" she asks, thinking about how it had been Michael to offer her support and kindness when she had been little and ill. "And are you going to sing to me?"
no subject
"Well, I can't sing," she says on looking back up, which isn't strictly true. She can carry a tune and she's far from tone-deaf, but she's never been taught to sing — and there's a peculiar intimacy to singing for someone, which is why she's never done it.
That said, if Peggy asked her to, she might just. But only because it's Peggy.
no subject
She shifts in the bed, squeezing Stella's hand firmly and staring up at her with exhaustion in every part of her, from how she lies to how she looks. "Just don't leave, I'll accept that instead of the singing. You can tell me stories of what's happening."