Mʀ. Wʀᴏɴԍ (
fe_male) wrote in
sixthiterationlogs2016-09-26 11:41 am
sorry mario
WHO: Tony Stark
WHERE: The Fountain, Blacksmithy.
WHEN: 25 Sept.
OPEN TO: All
WARNINGS: Tony Stark.
STATUS: Open, ongoing. Like I'll ever remember to edit this once it's not.
ᴛʜᴇ ғᴏᴜɴᴛᴀɪɴ
ʙʟᴀᴄᴋsᴍɪᴛʜʏ
WHERE: The Fountain, Blacksmithy.
WHEN: 25 Sept.
OPEN TO: All
WARNINGS: Tony Stark.
STATUS: Open, ongoing. Like I'll ever remember to edit this once it's not.
ᴛʜᴇ ғᴏᴜɴᴛᴀɪɴ
He squints.
Both at the sunlight and the fact that the world seems to have rearranged itself somehow in the last little while since he most recently took survey of his surroundings, and he's not entirely sure to which direction things have swung but he knows he doesn't like it.
Level one, assessment. He's sitting up on the bottom of a probably-concrete pit outside, and he can hear wildlife. No, wait, not a pit, a fountain, unless one makes the argument that a fountain without any water is technically a pit anyway. "Somebody changed my clothes, sure, why not, that's not weird at all. That hasn't happened since like. Ninety four." Investigating the backpack tells him very little aside from the fact that someone around here apparently lacks forethought and that he's retroactively pretty happy this fountain is empty aside from one increasingly irritated engineer.
"Alright, I don't know what kind of game this is, but it's pretty crappy! Like, terrible. Duke Nukem wouldn't even touch this with a wavebird, and now I'm just talking to myself in a hole. Fantastic. I have red pants, a peacoat, and nothing to get out of here with."
Shouting into the void seems like potentially a Bad Idea, so instead he's gonna poke around and see if he can finagle something out of the pipework maybe. Probably with running commentary to himself.
ʙʟᴀᴄᴋsᴍɪᴛʜʏ
Well this is familiar. His hand releases the strap of his backpack over his shoulder and trails over the edge of a shelf. Tony hasn't seen much of wherever the hell this little place is - nothing even really indicates whatever country he's supposed to be in now - but he can't really say it looks that appealing. If there's a blacksmith, then this might be a little bit more rustic than he's comfortable with. Either that or he's found the last bastion of hipsters. That might at least explain the overalls.

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"Any other patterns?" Because that's the best way to move past awkward things - you just sort of pretend it didn't happen.
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She settles back against a spot of ruin that she can perch on, watching him idly. "I'm sure any of these homes would suit you."
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Not that the weapons thing isn't interesting, neither is the people disappearing something he wants to dismiss. He's mostly just more interested in something he might be able to understand, science-based or maybe otherwise. It's easier to pretend whatever might have just happened didn't just happen.
She seems as though she's more than willing to wrap up the conversation though, and Tony's not quite sure he's ready for that. They might be stuck here together in a potentially confined environment, but this is the first time he's properly spoken to her in years, if not decades. Maybe he doesn't want it to end. "Which one would you recommend?"
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As she studies him, she wonders how much like his father he is. "Do you like large, ostentatious styles and homes? There are some here that are quite large. Four or five bedrooms, I think," she says, having seen them in her exploring. "You won't be able to decorate it as lavishly as a Stark mansion might be, but it should suit."
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Anyway, he can guess it readily enough - it's not as though he's never seen a pregnant woman, although until now he'd tended to associate the sheen to various other potential sources. This only added one more to the convoluted mix.
At the housing suggestion, Tony gives half a shrug - if that even translates as movement at all - and replies: "Don't really want that many potential roommates. Anything that looks like a studio offhand?" Tony also doesn't want all that potential space, familiar and not all at once. There's a reason his NYC pad isn't the same as his Malibu one, and it's complicated no matter how you look at it.
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The awkwardness has dissipated a little, which has helped with her wanting to stay, but the thought always lingers there in the back of her mind.
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Anyway, if she were anyone else, he'd probably attempt to follow up on the - no, who's he kidding. "Anybody I know?" he asks with a dry edge, conversationally, but it's still a pry into whoever she's talking about. Sorry, Tony's all about details. Especially when they aren't his. Especially when they involve people he potentially cares about.
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Besides, Tony is from the future and hopefully has different perspectives and opinions about men and women living together.
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"Like, Barnes Barnes? Or his nephew? Potomac Barnes?"
His reaction isn't unlikely to be misinterpreted, but he's not even considering the element she seems to be concerned about and obviously wouldn't care about it anyway. It's the time travel - or. Well. Not time travel so much by now, but. Tony doesn't really know. He doesn't have good files on current Bucky Barnes. Nobody has good files on current Bucky Barnes.
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Personally, Tony wishes things were a little more modern, but. Well, if this were at least a meeting in the middle he might be happier about it. Either way. Not much he can do about it.
He glances back at her with a bit more amusement, maybe even teasing. "Okay I know you're from the ancient era still but this can hardly be more modern. I know what existed in the 40s." Playing obtuse? Yes.
no subject
"This place might be backwards, but at least it's not hell," she says, quite frank in her opinion. "This must be quite difficult for you, though. Those from the future do seem to struggle a tad."