3ofswords (
3ofswords) wrote in
sixthiterationlogs2017-11-18 09:53 am
Entry tags:
[closed] sentiment's the same but the pair of feet change
WHO: Kira Akiyama
WHERE: 7I Peach Tree
WHEN: November 18, late
OPEN TO: Mark Watney
WARNINGS: N/A
The letter had arrived days prior, tucked into the last box he'd moved between what were apparently his houses. Who was he not to commit to an action everyone said he was taking, especially if it made practical sense? And he was practical, by all accounts. Helped others, volunteered for work. Things that are both true and very convenient to tell the guy who just showed up.
Kira doesn't think the reward the letter promises will get him home. He believes them when they say no one gets out, but--maybe he can know when people are lying again. Maybe he can at least live in a canyon that doesn't ask him to have faith, trust strangers, believe in general goodwill.
Knowing's better.
Knowing's saved his life.
Being known is less appealing: it's an easy choice of who to steal from, and what. Even if he doesn't get his power back, can't know what Mark's intentions are, or how deep into this he's involved--Mark won't fucking have a scrap of paper in his handwriting anymore. Kira won't have to engage the fact that he was here, writing things down, letting them fall into someone else's hands.
Stealing the shit is the easy part: the house is unlocked, he has an easy excuse for being there. There's another tarp sled behind Mark's house, already rigged up better for Aurora to carry it than the one in his own home. The only hiccup is another dog, but it's as familiar with him as the people here: he pets some ears, he lets Aurora distract it, and he's in and out of Mark's house before anyone returns, leaving only drag marks in the thin snow and frozen dirt.
Getting the shit to the peach trees is the hard part.
There's no moon tonight, and he's glad he had multiple houses worth of towels to soak in animal fat and tie to a stick. Which just leaves him in the fucking woods, trying to navigate terrain (which he's never done) through a gap in a canyon wall (that he's never seen before), to some hypothetical trees he doesn't recognize, but finds mapped out in a journal full of his handwriting.
It's lunacy, the kind of thing he might die doing, but--what's one more trek through a cold and hostile environment? At least he has a dog to drag his stuff, and at least no one's shooting at him.
According to map, he's at the peach trees--but they're hard to recognize in the dark, bare of leaves, flowers, or fruit. It's too cold to be wrong, and too cold to make another stab in the literal dark: Kira adjusts his scarf away from his humid breath, tucking it around the bird nested down on his shoulder, and holds his flaming walking stick closer to the journal, the letter spread over the other page.
"Should I just leave it in the sled," he asks the dog, a sure sign that he's losing it out here. "Two for one?"
WHERE: 7I Peach Tree
WHEN: November 18, late
OPEN TO: Mark Watney
WARNINGS: N/A
The letter had arrived days prior, tucked into the last box he'd moved between what were apparently his houses. Who was he not to commit to an action everyone said he was taking, especially if it made practical sense? And he was practical, by all accounts. Helped others, volunteered for work. Things that are both true and very convenient to tell the guy who just showed up.
Kira doesn't think the reward the letter promises will get him home. He believes them when they say no one gets out, but--maybe he can know when people are lying again. Maybe he can at least live in a canyon that doesn't ask him to have faith, trust strangers, believe in general goodwill.
Knowing's better.
Knowing's saved his life.
Being known is less appealing: it's an easy choice of who to steal from, and what. Even if he doesn't get his power back, can't know what Mark's intentions are, or how deep into this he's involved--Mark won't fucking have a scrap of paper in his handwriting anymore. Kira won't have to engage the fact that he was here, writing things down, letting them fall into someone else's hands.
Stealing the shit is the easy part: the house is unlocked, he has an easy excuse for being there. There's another tarp sled behind Mark's house, already rigged up better for Aurora to carry it than the one in his own home. The only hiccup is another dog, but it's as familiar with him as the people here: he pets some ears, he lets Aurora distract it, and he's in and out of Mark's house before anyone returns, leaving only drag marks in the thin snow and frozen dirt.
Getting the shit to the peach trees is the hard part.
There's no moon tonight, and he's glad he had multiple houses worth of towels to soak in animal fat and tie to a stick. Which just leaves him in the fucking woods, trying to navigate terrain (which he's never done) through a gap in a canyon wall (that he's never seen before), to some hypothetical trees he doesn't recognize, but finds mapped out in a journal full of his handwriting.
It's lunacy, the kind of thing he might die doing, but--what's one more trek through a cold and hostile environment? At least he has a dog to drag his stuff, and at least no one's shooting at him.
According to map, he's at the peach trees--but they're hard to recognize in the dark, bare of leaves, flowers, or fruit. It's too cold to be wrong, and too cold to make another stab in the literal dark: Kira adjusts his scarf away from his humid breath, tucking it around the bird nested down on his shoulder, and holds his flaming walking stick closer to the journal, the letter spread over the other page.
"Should I just leave it in the sled," he asks the dog, a sure sign that he's losing it out here. "Two for one?"

no subject
And someone, for God knows what reason, has taken the whole lot. It's such an odd, counter-intuitive thing to do that for awhile I actually convince myself either Helen or myself moved them. I even walk to the inn and town hall and storehouse just to make sure I didn't accidentally leave them behind, despite knowing I hadn't.
It's on my way back that I notice the sled is gone, too, and that the thief has left a pair of ruts running off into the snow like a trail of breadcrumbs. It's so obvious, I think it must be a trick, but then I remember Occam's razor. It's probably just stupidity.
I don't appreciate having to hike all the way over to the east side after dark — Or ever, really — but if it snows overnight, I could lose the trail. It's easy enough to follow along in with a lantern, and then to spot the wavering flame through the skeleton branches of the trees.
Stopping at the edge of the clearing, I squint at the scene.
"What the fuck?"
no subject
At the sound of the voice, he doesn't quite look up, finishing the knot at Aurora's hip to free her before he stands and walks back to his light. Yanking his stick from the hard earth, he points it out, pulling his hood from his brow and squinting back.
"Oh, Mark," he says, like he didn't just drag the guy's shit halfway across their terrarium. At least he seems to be alone; too early to tell about unarmed. With a recently practiced whistle, he gets Aurora at one side, and holds his torch upright at the other. Push to shove, he might be able to threaten the load with fire to save his own skin.
no subject
"Please don't set those on fire," I say, lifting a conciliatory hand, palm-out. "It might not be worth much to most people, but keeping track of what's happened in this place is the best way I can think of to figure out how to get out of it, and some of that I can't replace," I add with a nod toward the pile of papers. "It's also got the census information so we can feed everybody over the winter, and it would be a real pain in the ass to collect all that again."
no subject
Some of it could be replaced, though. The really important part, and probably not the parts about him.
"Some of this is personal," he says. Aurora sits rooted at his feet, and he doesn't know her enough to find it out of the ordinary. "Why do you have it? And if it's so widely important, why is it shut up in your house?"
no subject
I motion toward the pile. "Take your stuff back, if you want. The only reason I have it is because you explicitly told me to go get it if you disappeared. You've had several friends disappear in the last several months. I think it was probably at the front of your mind."
no subject
"I've got the torch by your research," he presses, "so let's get a few things straight. I don't have people here. I am fucking tired of being treated like a known. I will torch this just to get to start over, alright?"
Except he won't, because of the other piece of paper he's fishing out of his coat pocket and holding out. He wants to start over: he doesn't want Mark to think he's a goddamn sociopath this go-around. "And I don't think they're asking for something you were holding onto for me."
no subject
I'm starting to get really fucking angry.
Fortunately probably for us both, Kira disrupts my Hulk out by thrusting out a piece of paper, and when I read what it says, the anger bleeds quickly away — Or at least diverts itself to something else, for whatever good that will do me.
"I've never seen anything like this before," I say at length, my brow creasing as I read over the text yet again. "I don't think anybody's ever gotten anything direct like this."
Apparently we've gone to the next level.
no subject
And kept pushing them until he dragged his ass across a pair of canyons.
"I tossed the first one in the stove and it just came back," he explains. "Some fucking Harry Potter shit." Kira doesn't quite back off from the canoe: he's going to leave something here for the letter's author, but he lets Mark into his space, gives him the time to read it over. "Obviously I want to know what they're offering, but I also don't want to find out what happens if I ignore it. They made the fucking sun stay up for a month."
no subject
I let out a sigh, my shoulders slumping, and look to the pile of papers. "I don't know what the parameters are here. If I take them back now, does it still count? We have no way of knowing."
I hold the letter back out to Kira. "Can you at least do me a favor and flip the boat over them in case it rains? And for fuck's sake, stop acting like you're going to set shit on fire. We can give it a few days and see if you actually get this reward they're offering. I don't see any other way to find out if it's true."
And one way or another, we're going to have to tell everybody else.
no subject
He lays the tarp down first and folds it over the pile in its entirety before settling the canoe over it. The canoe seems like a more annoying thing to lose, considering how far absolutely no one has gotten with any kind of notation to track what the fuck is going on, but whatever makes Mark happy for now. "I'll help you take down names again," he promises.
Tying off the pile with Aurora's harness, he take back his torch and letter - if he left it with Mark it might just pop back up in his kitchen. "Has nobody stolen shit before? Why don't you all lock the doors?"
no subject
I like to think that as a whole, we're honest people here; That for the most part we wouldn't steal from each other even if we could get away with it. But context really is everything.
"There aren't any keys," I point out. "I don't know if that's on purpose or not, but crime isn't exactly an issue here."
no subject
"Maybe they don't pick the so inclined," he wonders aloud, sighing as he packs himself up for the walk home. "Which then begs the question: why the fuck are they asking this?"
no subject
"I'd really like to know if this is an isolated incident. Is it something to do with you specifically, or do you just happen to be one of the people who got this pleasant directive to introduce the village to petit larceny?"
no subject
If he does, Kira's advice to those waffling on the decision? Do it with some daylight left for the walk back.
no subject
no subject
"I don't think I wanted to believe any of you, but I know my own handwriting when I see it. If anyone brings you any clues about why the fuck this happened to me, pass them on."