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WHO: Clint Barton
WHERE: House 13
WHEN: February 21
OPEN TO: Peggy Carter, Stella Gibson if she wants
WARNINGS: Probably lots of vaguely amorphous stuff, talk about blood and killing; will expand if it becomes more explicit
WHERE: House 13
WHEN: February 21
OPEN TO: Peggy Carter, Stella Gibson if she wants
WARNINGS: Probably lots of vaguely amorphous stuff, talk about blood and killing; will expand if it becomes more explicit
It's a fairly well-established routine by this point, this trade of... things. Really it's mostly Clint keeping busy, because if Clint didn't keep busy, he'd probably go throw himself off the canyon wall. Thoughts of home, his family, the chaos of the world that was going on when he'd been pulled into the village - all of that would make him break, no matter his friends and as-good-as-family that he has here. He's already had one breakdown; he's not allowing himself to have another. But it's been established for awhile now that when Clint hunts, he hunts first for his own house and the people living there, but some of the extra is set aside for Peggy and Stella while the rest goes to the inn and the communal pot. He's also on call for handyman jobs if they're needed, though fortunately that isn't all that often since whoever originally built these houses built them sturdily and to last. (Better than a lot of modern houses, he knows that all too well.) In return, if he needs help with something, he can ask for it, his house get some fish, and he gets a sparring partner when they're feeling up for it.
But it's been so weird lately, for a lot of people. The tension in the village has been drawing tighter, not helped by the letters in the red envelopes that have been popping up for months now, nor the fact that it's been winter and winter just breeds malaise. Without an active way to fix things, Clint knows he's not all that much help in that kind of thing, and so he's been spending a fair amount of time in the woods away from the village, which is half of what led to him nearly dying the month before. At least out there he can get things done, hunt and mark trails, search for other ways out even though he doesn't think he'll find any. His meat delivery isn't as big as it has been in the past, but it's time to make it, and so Clint's stepping up onto the porch of House 13 and knocking on the door, like he has so many times in the past.